Congratulations to Oscar nominees

Films shot using ARRI equipment feature heavily on the list of nominations for the 84th Academy Awards, which will be held in Hollywood on February 26th.

23 JAN 12

Shooting HELLO I MUST BE GOING

When director Todd Louiso and cinematographer Julie Kirkwood discussed how to shoot the new indie feature HELLO I MUST BE GOING, they decided the ARRI ALEXA would be the perfect tool.

17 JAN 12

ARRI Lion Awards

ARRI honors stand-out staff members at new year's reception event.

16 JAN 12

Golden Globes Salute Movies & TV

Many Golden Globe winners relied on ARRI cameras and lighting. Click for the list of winners.

Highlights >>

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Oscar for ARRI and Fraunhofer Engineers

ALEXA shoots Norwegian TV promo

Roger Deakins ASC, BSC interview on IN TIME

CAMERON | PACE Group receives first ALEXA Ms

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ALEXA Software Update >>

120 fps & SxS PRO 64 GB cards with ALEXA SUP 5.0

Quote of the Week >>

Quote of the Week

As long as equipment and crew are available you can make a film anywhere.

Quote of the Week

DP Denis Crossan, BSC

ALEXA License Shop >>

New L-Series LED Fresnels >>

Digital Cameras >>

Screening Room >>

Behind the scenes on EXTREMELY LOUD AND INCREDIBLY CLOSE

Go behind the scenes of this touching story about a nine-year-old inventor (Thomas Horne), who searches New York City for the lock that matches a mysterious key left behind by his father (Tom Hanks). Directed by Stephen Daldry with cinematographer Chris Menges, BSC, ASC, EXTREMELY LOUD AND INCREDIBLY CLOSE was shot with ALEXA cameras from ARRI CSC in ARRIRAW format using Codex recorders. Footage courtesy of Warner Bros.